Office of Aboriginal Initiatives
WATERLOO CAMPUS: There Is Hope, If We Rise, Sonny Assu
Date: Mar 12/13
Time: 17:00 - 19:00
Location: BA113, Bricker Academic Building, Waterloo Campus
This talk will explore the intersection of Assuís practice and the politics of hope, building on his project, There is Hope, if We Rise. This project, inspired by Shepard Fairey's iconic "Hope" poster, builds on Assuís earlier work on propaganda use by the Canadian government and the ways in which such images generate stereotypes of Indigenous peoples. Situated in the discourse of the Idle No More movement, this talk builds on Assuís conceptual and aesthetic practice ...and challenges us to rethink the image of Canada as a utopian, just, and tolerant place.
Sonny Assu is an interdisciplinary artist who pushes the boundaries of contemporary art by merging Indigenous iconography with the aesthetics of popular culture to challenge the social and historical values placed upon both. Interested in ideas around Indigenous issues and rights, branding and new technologies, he works across multiple disciplines, transforming consumer and popular culture to trace the lineage of his own life.
Assu's work has been featured in several solo and group exhibits over the past years, notably Don't Stop Me Now! and Comic Relief at the National Gallery of Canada, Beat Nation and How Soon is Now? at the Vancouver Art Gallery and Changing Hands: Art With Reservation Part 2 at the Museum of Arts and Design in New York City. His work has been accepted into the National Gallery of Canada, the Seattle Art Museum, the Museum of Anthropology at UBC and in various other public and private collections across Canada and the United States.
Sonny is Liǥwildaʼxw of the We Wai Kai First Nation (Cape Mudge). He graduated from the Emily Carr University in 2002. He received the BC Creative Achievement Award in First Nations art in 2011 and was long-listed for the 10th annual Sobey Art Award in 2012. He currently lives and works in Montreal.
Refreshments will be served
Contact: Alexandra Boutros
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